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While Winston was recruiting new agents, someone codenamed Soldier: 76 was raiding former Overwatch bases to salvage technology. It was later revealed that Soldier: 76 was actually Morrison and he had survived the explosion. Morrison joined Winston along with Genji, Reinhardt, Brigitte Lindholm, Echo, and Angela Ziegler after saving Paris from Null Sector. Lucio and Sojourn would also join Overwatch shortly after, officially sparking the second iteration of the global strike team. With the rise of attacks across the globe, the people of the world need Overwatch now more than e

First up is the main menu, which is a real snazzy bit of presentation. The first thing you’ll notice is how much the colour scheme has changed, with many of the tones updated to feel more modern and grounded compared to the cartoonish first game. There’s still plenty of room for silliness, but the orchestral score is even more soaring and extravagant, doing its best to emphasise how this is a glorious return to form despite most of the game playing and looking the same. First impressions count though, and Overwatch 2 doesn’t disappoint.

Overwatch will forever and always be a shooter classic, but my heart sinks when I think about how its once pristine legacy has been dragged through the dirt in service of a future that right now still seems so unclear. I formed so many memories around long nights experimenting with new heroes or diving into seasonal events with life-long friends by my side. Few games have ever managed to ignite that sense of passion within me, and that alone is an achievement worth celebrating. Now, as the servers prepare to switch over for good, I’m left mourning the empty void that once defined an entire part of my life.

There’s a few new options - most notably the presence of an in-game shop and battle pass. Loot boxes are gone for good, with premium currency and seasonal progression now used to earn skins and Overwatch2base.com other cosmetics. Time will tell whether this model works, but Blizzard isn’t shy about putting it front and centre. Aside from that everything here is basically the same, and that includes graphical settings and other such options that I forgot to take screenshots of before being locked out of the review build. Trust me on this one.

Part of me is curious to see where new modes and additions will appear when the first big seasonal update rolls around, or if Blizzard has something more experimental planned for a hero shooter that is relatively by-the-numbers right now. But when it comes to the user interface experience, I gotta give this thing top marks.

Of course, we had awesome women like Mei and Zarya amongst the cast, but there was D.Va, Tracer, and Widowmaker strutting their stuff alongside them. Overwatch was a real sticking point in our development as horny gamers, and a willingness to embrace sexuality in our games and view it as something to no longer be ashamed of. Overwatch was a stepping stone to this point, but a stone covered with the slippery moss of the mid ‘10s Whedonised feminism, where the best way to make a female character strong was to make her sexy too. Putting aside the smut, I was invested in some of the game’s queer ships for years, whether it be through tasteful fanart or brilliantly written fiction that understood these characters better than Blizzard ever will. Pharmercy till I die. You know Overwatch was something special because it made you care, and the relative indifference from Blizzard in the years since is almost upsetting.

Iterative releases are something that fans of sports games are more accustomed to. Every year a new NBA, Madden , NHL, MLB or WWE game is released and they're rarely significant departures from the previous installment. These games are usually expected to release annually, so they typically feature nothing more than roster updates with maybe the occasional new mode or gameplay tweak. Yet, despite being essentially the same game – or in some cases being much worse than the game that came before – they'll still cost you the price of a triple-A rele

Overwatch’s corporate identity was clear to see through its diverse cast and clear attempts at inclusion, made worse by queer characters who were never given any strong narrative within the world itself. On the surface it was a bold statement, but dig any deeper, and you were left wanting so much more as Blizzard chased demographic approval. Its universe had so much potential for excellent stories and worthwhile sociopolitical commentary, but this clear ambition was brushed aside as the years went on in favour of recycled seasonal events and development of a sequel that is only now lumbering towards the finish line. I once looked up to Overwatch, but now I can’t help but view its failings and cynical business practices for what they really are. I still love so much about it, and the warm memories it brings to the forefront of my mind are clear proof that Blizzard struck gold with this one.